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It's Friday night and 3 hours until curtain UP on a weekend full of Evita! Tickets are selling fast so go online to http://www.theatreoftherepublic.com/ or call 843-488-0821 to reserve those seats ASAP. Don't forget to renew your season tickets with us while you're here to see the show! 🙂

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Opening night is tomorrow and we are SO excited! We look forward to bringing this beautiful musical to the stage for all of you. Call or visit our website to book tickets ASAP. Both matinees are SOLD OUT and the other nights are getting slimmer by the day so don't delay!

Don't let the rain scare you! Today is a great day to call us or come by and renew your season tickets for our 2017-18 season or book tickets to our next musical "Evita". The box office is open until 6 today! 843-488-0821

Theatre of the Republic

Coming to our stage 2017-18!

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What do you think of our 2017-18 season!? WE ARE SO EXCITED! What will you be coming to see or auditioning for?

Theatre of the Republic

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Very few seats remain for our matinee performances of "Evita" Dont wait to get those tickets! http://www.theatreoftherepublic.com/

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One more round of auditions TONIGHT! 7:00 p.m. Cold reads will be done from the script. Come on out for our last show of the season!!

Happy closing performance to the cast of Lion king jr!! We are so proud of you!

Lion king jr!!

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CLYBOURNE PARK AUDITIONS! Sunday April 2nd & Monday April 3rd at 7:30 p.m Auditions will be cold reads from the script. ​Clybourne Park unfolds in two acts in the house made famous in Lorraine Hansberry’s classic “A Raisin in the Sun.” In Act I, a white community in 1959 Chicago splinters over a black family about to move into the house. Act II leaps forward to 2009, where a white couple seeks to purchase the same house in the now predominantly-black neighborhood. Norris’ play explores issues of race, territory, and legacy with an uncommon combination of biting humor and genuine tenderness, treading the rich and illuminating ground of both comedy and drama. Most actors for the production will play two roles (as is intended by the author) . Character Breakdown: Russ (Act I)/ Dan (Act II): Caucasian male, 45-55. In Act I, a middle-management businessman selling his house to escape memories of a family tragedy. In Act II, a friendly but somewhat oblivious construction worker. Bev (Act I)/ Kathy (Act II): Caucasian female, 40s. Married to Russ, whose brooding is eroding her natural optimism. In Act II, a breezy real estate agent and lawyer. Francine (Act I)/ Lena (Act II): African-American female, 30s-40s. A stoic and polite domestic worker to Russ and Bev in Act I. In Act II, a no-nonsense professional woman invested in her neighborhood and fiercely opposed to white gentrification. Albert (Act I)/ Kevin (Act II): African American male, 30s-40s. As husband to Francine in Act I, he is accommodating but a shrewd judge of character. In Act II, an easy-going investment banker married to Lena. Karl (Act I)/ Steve (Act II): Caucasian male, late 30s-40s. In Act I, a character borrowed from “A Raisin in the Sun” who comes to persuade Russ and Bev not to sell their house to a “colored family.” In Act II, a well-educated man, but not exactly a diplomatic one. He’s seeking to purchase the home in the now-black neighborhood. Betsy (Act I)/ Lindsey (Act II): Caucasian female, late 20s-- 30s. Married to Karl and seven months pregnant in Act I. Betsy is deaf but does speak, although her speech is difficult to understand. In Act II, a professional woman, also pregnant, who is married to Steve. Jim (Act I)/ Tom (Act II): Caucasian male, mid-20s – 30s. The well-intentioned minister at Russ and Bev’s church in Act I. In Act II, a lawyer hired by Kevin and Lena to represent their community association in negotiations with Steve and Lindsey. To is smart and good at his job but in a hurry. Kenneth: Caucasian male, 20s. Russ and Bev’s son who has come home after service in the Korean war. Kenneth appears only briefly in a flashback at the end of Act II. He is sometimes played by the actor playing Jim/Tom. ​ Directed By Scott Maxwell

I would just like to add that the show itself was excellent. I had more fun at Priscilla in your town than at major plays in NYC. We are three months in the USA and this is one of our most favorite memories. Well done! Laurence