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ABC Newcastle 1233 Treasure hunt dropped by to find the next clue and visited Stitched Up exhibition @thelockupartspace #1233 #newcastkeabcradio

Exploring galleries a satisfying trip

wonderful write up about Stitched Up exhibition in Newcastle Herald today..http://www.theherald.com.au/story/4758794/exploring-galleries-a-satisfying-trip/?cs=316. Exhibition open at the Lock Up. Curated by Wilma Simmons and Anne Kempton

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Love cold nights stitching into felt #happycreating #workinprogress

Timeless Textiles Gallery - shop-Brooching the Subject

Brooching the Subject # 2 competition is back...make a fibre art brooch (or Wall Brooch) and be in the competition...read more..and obtain an entry form http://www.timelesstextiles.com.au/page19825/shop.aspx?categoryID=2628. Exhibition is May 2018

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The Colour of Rose by Sylvia Watt as part of Stitched Up exhibition @thelockupartspace collage drawing watercolor ink and silk #exhibition #fibreart

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Beautiful woven crochet throw rugs by Sonya Waksmundzki lovely addition to your cosiness #keepingwarm #happycreating

Timeless Textiles's cover photo

Memory cloth workshop with Anne Kempton and Wilma Simmons

In this two day workshop, you will be able to transfer some of your precious photographs a range of fabrics and create a series of memory cloths or a folded fabric and paper memory book. Some of the techniques you will explore are: • Cyanotype and van dyke printing - blue and or brown print /photos on cloth • Transfer of photos (copies) to cloth with medium • Fabric and paper layering and collage • Hand stitching • Making your own 3D embellishments Dates: 9.30 am – 4.30 pm 22/23 July 2017 Cost: $250 for two days including a delicious morning tea and lunch Venue: Timeless Textiles Gallery $20 material fee payable to the artist Book in now http://www.timelesstextiles.com.au/page19825/shop.aspx?productID=27393

Messenger of Peace Stick Doll workshop with Wilma Simmons

Create an art doll with a special message for peace! Traditionally, message sticks were a means of communication by indigenous Australians, but I have adapted this concept. A message stick doll is a wrapped art doll with a stick as an armature, a polymer clay face with its special message handwritten on a timber tag. In this one day workshop, we will wrap a stick, use moulds to create and cure a polymer clay face, improvise the doll’s arms and embellish the body or body parts with stitch, paint and/or beads and buttons. The theme will be peace, in response to recent violent events worldwide. Workshop kit includes polymer clay, paint/ antiquing medium, glue, foil tape, first layer wrapping strips, timber tag, Cost $10 Please bring: a stick, small quantities/strips of favourite fabric (this can be any type - new or old , cotton, polyester, wool, felt etc), fibres, threads or braid in coordinating or contrasting colours, a small quantity of alfoil ( about 1 metre). If you are unable to provide any of these, please let me know so I can bring extra for you to use. Please also bring scissors, needle and sewing thread. Any other embellishments (buttons, beads, broken jewellery) are optional . Note: A small supply of embellishments and stranded embroidery thread will be available for you to use. Date: 9.30 am – 4.30 pm 8 July 2017 Cost: $110, including morning tea and lunch Venue: Timeless Textiles Gallery Timeless Textiles 90 Hunter St Newcastle East p: 49265888 book in now http://www.timelesstextiles.com.au/page19825/shop.aspx?productID=27392

The Map Project: where I live

THE MAP PROJECT: Where I Live An assortment of artists from the region, the nation and the world explore what ‘home’ means in an extraordinary new exhibition opening at Newcastle’s Timeless Textiles Gallery in July. “We all have a connection to a place, a story or memory,” Gallery owner Anne Kempton said. “The Map Project: Where I live is a collaboration by textile artists on the meaning of the place they call home: the geography, culture, history and perceptions of being there.” Multiple groups and individuals created 1.5 x 1.5 metre maps using textiles to represent their widely differing impressions of home. UK glass artist Istra Toner began the map project in Croatia in 2013, which then travelled throughout Europe to the UK. It is now in Australia, where a growing number of textile artists have collaborated to create maps. The first was created in Broome in Western Australia in 2016 and others added as part of the 50 years of Belconnen celebrations in October 2016 in the Australian Capital Territory (ACT). Textile groups from the ACT created beautiful and contrasting works in a range of textile mediums for the exhibition and maps from the Skerray Isles and Wirral communities in UK are also on show. Hunter artists have added two more maps. The beautiful ‘Felted Dreamscape’ was made at the ‘Life and Living’ conference. The second is a fascinating quilt, ‘Newcastle Quakers Journey in the Hunter 1838’, depicting the local journey of Backhouse and Walker, who were sent on an expedition to investigate the conditions of Aboriginals and convicts in Australia. NCEATA (Newcastle Creative Embroiderers and Textile Artists) have also contributed to the exhibition with a collage of stitched textile art interpretations of home. The map project will complete its Australian tour in Newcastle at the Timeless Textiles Gallery exhibition.  The nine works represented in the The Map Project: Where I live exhibition are: 1. Bush Capital (Canberra: capital city by design, bush city by nature, beautiful city to live in, and our secret to share) tACTile is a group of six Canberra-based fibre artists, formed in 2001, who mount exhibitions every few years. Each artist contributed a prescribed number of tiles representing personal vignettes of living in Canberra, which were assembled to create their mosaic map. 2. Belconnen in Felt This work by 10 members of the Canberra Region Felt-makers group captures the prolific fauna and flora of Belconnen. 3. Anthology Created by eight members of the Canberra–based group, Fibre Basket Makers of the ACT, Anthology is a collection of visual stories of the Australian Capital Territory. 4. The Village of Skerray Scotland The sea features prominently in this work by seven fibre artists from the village of Skerray on the north coast of Sutherland in Scotland. Their work reflects the strong sense of place shared by this small, close-knit community. They say the coastline is their most significant boundary, rather than roads and fields. Their work features the sea and the two Skerray islands, the larger of which, Island Roan, used to be home to many of Skerray's families until it was evacuated in 1938. The smaller island, Island Neave or Coombe Island, was allegedly home to the Monks of St Columba around AD563. 5. Wirral Peninsula This work by five fibre artists from the Wirral peninsula, in the north west of England, captures the rich and dense history and contrasts of their home. As they climbed a sandstone hill, the map of Wirral spread around them, revealing field patterns, woodland, houses and industry, roads and ancient pathways. Wales and Liverpool are both in view. Wealth and deprivation are often side by side. 6. The Felted Dreamscape Three Hunter fibre artists called on their personal connections to the land to create their circular felted work. They were also inspired by ‘The Secret of Dreaming’, a creation story by Jim Poulter, written with the blessing of indigenous elders; and by Rudolf Steiner's spiritual descriptions of the evolution of the earth. 7. Quakers Journey in the Hunter 1838 Hunter Valley Religious Society of Friends (Quakers) created this patchwork quilt based on the local scenes of Backhouse and Walker’s journey through the Hunter in 1838. 8. Newcastle – NCEATA intersections Members of the Newcastle Creative Embroiderers and Textile Artists focused on the intersection of art and the environment to create a fabric collage using a map of Newcastle streets as the foreground feature Each of the artists used her favourite textile art technique to give a personal glimpse of "Where I Live". 9. The Tapestry Couch This project celebrates the empowering stories of refugees and people seeking asylum in Australia. Created in the Friendship Garden in Auburn by people from all latitudes and longitudes, the tapestry is a map of people’s experiences within this special place. During the last 12 months, nearly 200 people have worked on the project and shared their stories. They learned the tapestry process from Sayd Shah Mamood, an artist, originally from Afghanistan, who has been honing this art form for 30 years. This moving and beautiful object demonstrates how people can communicate, collaborate and compromise to create something extraordinary, despite not sharing a language. It is evidence of the power of community art projects to unite people. The Tapestry Couch project has been led by Tasman Munro, Jane Theau and Sayd Shah Mamood, and funded through Settlement Services International. The Map Project: Where I live exhibition will be on show between 3 and 16 July, with the opening from 6-8pm on Thursday 6 July.

Timeline Photos

Such creativity Three day workshop with Jette Clover from Belgium 🇧🇪 thank you for your extraordinary teaching and being part of Stitched Up #fibreart #workshop #workinprogress #happycreating

Falling by Jane Theau as part of Stitched Up exhibition @thelockupartspace machine embroidery thread and tartan #shadows #exhibition #threaddrawing #fibreart