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盈鑾畫廊 Cheer Bell Gallery

Unit 1602, Global Trade Square, 19-21 Wong Chuk Hang Road, Hong Kong, Hong Kong
Art Gallery
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Description

盈鑾畫廊
Cheer Bell Gallery

Unit 1602, Global Trade Square, 19-21 Wong Chuk Hang Road, Hong Kong
P: 2341 8899
M: 9725 8019
F:  2650 7799 盈鑾畫廊
Cheer Bell Gallery

Unit 1602, Global Trade Square, 19-21 Wong Chuk Hang Road, Hong Kong
P: 2341 8899
M: 9725 8019
F:  2650 7799

CONTACT

Opening Hours

Monday
10:00 - 18:00
Tuesday
11:00 - 19:00
Wednesday
11:00 - 19:00
Thursday
11:00 - 19:00
Friday
11:00 - 19:00
Saturday
11:00 - 19:00
Sunday
14:00 - 19:00

RECENT FACEBOOK POSTS

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盈鑾畫廊將於2016年4月16日至5月7日展出薩爾瓦多•達利的雕塑及版畫,有關資訊將陸續在畫廊網站更新,博客將於每周一、四更新,敬請各位關注與分享。 歡迎於開放時間內到訪或於公眾假期預約參觀。 電話︰3568 1636 / 9725 8019 電郵︰cheerbell@cheerbell.com 地址︰荃灣沙咀道57號荃運工業中心2期3樓E室 網址︰www.cheerbell.com

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Photos from 盈鑾畫廊 Cheer Bell Gallery's post

歡迎於開放時間內到訪或於假期預約參觀。 電話︰3568 1636 / 9725 8019 電郵︰cheerbell@cheerbell.com 地址︰荃灣沙咀道57號荃運工業中心2期3樓E室 網址︰www.cheerbell.com 1964年生於北京。1989-1991年任職於中國畫研究院。1994年8月在香港舉辦個人畫展。2002年6月在馬來西亞、新加坡舉辦個人巡迴展。現任職北京"燕京書畫社"。 石晶的創作題材非常單純,他選擇的就是那些幾乎有著相同神態的女子,深閨中的院落幽深、寧靜,那是一個隱秘的、不為外人所知的世界。在相當長的一段時期裡,石晶把自己的視野停留在院落之中,他在限定了表達的內容的同時,也為自己的創作帶來了深度及難度,因為面對這些幾乎完全同樣的院落,畫家很容易陷入表達的重複。令人欣喜的是,石晶在深入體悟的基礎上,從一扇視窗中發掘出了一個完整的世界。院落雖小,卻也有春夏輪回,院落中生長的花草樹木與女人在歲月的交響中形成了和諧的對應,凝眸新花初開的顧盼,聆聽鳥兒鳴囀的欣喜,感受初雪的一絲清涼,都在一種輪回的背景中定格為瞬間的永恆。石晶在這裡表現出了他對美的極度敏感,也反映了他精湛的表現技巧。 石晶的畫往往彌漫著淡淡的古典清愁,他的創作意境顯然充滿東方的情韻,但在表現手法上卻吸收了許多現代西方繪畫的方法。他的繪畫構圖基本是滿構圖,即使是空白處,他也會用色彩進行渲染,使整個畫面豐富而富有感染力,營造了濃郁的整體氛圍。他非常注重色彩的運用,色彩大膽、豔麗,有很強的裝飾效果。石晶在繪畫中常常製造出光影的微妙效果,給人以悅目澄懷的欣賞愉悅。石晶的繪畫整體構圖很注重結構,高牆、屋簷、窗櫺等形式感極強的事物與植物、女子等的動勢構成了動與靜、厚重與輕靈的和諧畫面。

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Christina Tung, a female artist, developed TW Parrots from her own Parrot Painting series, presenting trendy and useful products to the public. Feel free to visit www.twparrots.com or http://store.mihk.tv/pages/cheerbell to know more!

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女畫家董慧以她的鸚鵡畫系列為基礎發展TW Parrots 品牌,推出時尚而使用的產品。歡迎瀏覽www.twparrots.com 及 http://store.mihk.tv/pages/cheerbell 了解更多並選購!

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Artist Biography - Lam Tian Xing Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, was born in Fuzhou City, China in 1963. Lam has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen, and is now a renowned contemporary ink color painter. He immigrated to Hong Kong in 1984, and returned to China to continue his studies and graduated from the Chinese Painting Department of Beijing Central Academy of Fine Arts in 1990. He took a teaching post at the Hong Kong First Institute of Art and Design upon his graduation until 1998. He now works as a professional painter. Lam is also the chairman of the Hong Kong International Art Association, and has held more than 50 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore, Taipei and Seoul. His works have exhibited at the Beijing Centennial Exhibition of Chinese Paintings, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few. He has participated in more than one hundred joint exhibitions around the globe. His works have been widely collected by private and corporate organizations, both local and overseas. Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Season Hotel, the Macau Four Season Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing Shangri-La Hotel, the United Airline, the Credit Suisse HK Representative Offices. He has published more than twenty albums of his work. Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and land-scapes. He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series. His latest series “Lotus in Tian Xing”, has been his focus in recent years. All these have uniquely marked his personal artistic development. Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views. The paintings, ”Morning Songs” and “Sideview in Victoria Harbour” accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong.

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Photos from 盈鑾畫廊 Cheer Bell Gallery's post

盈鑾的宗旨是︰「藝術是必需品,而不是奢侈品。藝術就像呼吸一樣,每個人都應該擁有。」故畫廊會以最低的價格,帶來最好的畫作,希望更多藝術愛好者能夠把畫作帶回家。 展品亦涵蓋不同的藝術類型,且一律以嚴謹標準選出。盈鑾畫廊與歐洲和中港台書畫名家及機構聯繫緊密,當中更榮幸邀請到當代水墨名家 - 林天行作為藝術顧問,確保盈鑾畫廊之畫作質素。 畫廊佔地逾五千平方呎的主副展廳開放予公眾參觀。專業燈光系統給予觀賞者最舒適的藝術體驗。另一方面,盈鑾畫廊亦提供藝術顧問服務,包括解答藝術市場趨勢與藝術投資項目,幫助訪客全面了解藝術收藏與市場。 歡迎於開放時間內到訪或於假期預約參觀。 電話︰3568 1636 / 9725 8019 電郵︰cheerbell@cheerbell.com 地址︰荃灣沙咀道57號荃運工業中心2期3樓E室 網址︰www.cheerbell.com

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Photos from 盈鑾畫廊 Cheer Bell Gallery's post

Artist Biography - Eddie Lui Eddie Lui Fung Ngar was born in Hong Kong in 1947. He completed the Art and Design Diploma at the School of Professional And Continuing Education of The University of Hong Kong in 1972. In the ensuing year he also completed a 1-year studio programme in contemporary ink art designed and conducted by maestros: the late Lui Shou-kwan; senior painter Mr Wucius Wong; and the late Laurence Tam and others at the same institution. He held his first solo exhibition in 1973. In 1981 he became a recipient of the Hong Kong Museum of Art’s Hong Kong Biennial Exhibition – Urban Council Fine Arts Award. In 1998 he was offered a Silver Jubilee Achievement Award by the Hong Kong Visual Arts Society. In recognition of his contributions to the development of visual arts in Hong Kong and his untiring supports towards the well-being of the society, he was offered a Saluting VAS40+ Hongkong Arts Award in 2014. As the President of the Hong Kong Visual Arts Society (1978-82), Honorary Adviser to the Hong Kong Art Promotion Panel of the Hong Kong Government (1996-99), Secretary General of the Asian Watercolour Confederation (1997-2002), Founding President of the Hong Kong Union of Visual Artists (1997-2005), Hong Kong Committee Chairman of the Federation of Asian Artists (1997-present), his influence on Hong Kong's curatorial and art administration scenes has been far-reaching. He was hired in 2005 by the Hong Kong Baptist University to plan for the conversion of a decommissioned factory estate and in the software development of Hong Kong’s pilot studio centre, the Jockey Club Creative Arts Centre (JCCAC) and subsequently took up the responsibilities as the inaugural Executive Director of JCCAC in the ensuring years till February 2010. In May 2011, he was appointed by The Ink Society to prepare a design and technical submission to the Hong Kong Government proposing to convert and revitalise the garden compound monument into THE INK ART CENTRE at King Yin Lei. Lui’s painting and sculpture are included in the permanent collection of the Guangdong Museum of Art; Shandong Museum of Art; the University Art Museum of the Xiamen University; the Jingdezhen Ceramic Art Museum; Foshan Ceramics Museum; the Taiwan Chan Liu Art Museum; the Malaysia Ibrahim Hussein Museum & Cultural Foundation; the Hong Kong Museum of Art; the Hong Kong Heritage Museum; University Museum and Art Gallery of The University of Hong Kong; Hong Kong Arts Centre; The Hong Kong Academy for Performing Arts; the MTR Corporation; the Hong Kong Jockey Club and the Hong Kong Housing Authority; and other cultural bodies, corporations and private collectors. Lui now lives and practices visual art, 3-D design and visual art consultant in Hong Kong, China.

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Photos from 盈鑾畫廊 Cheer Bell Gallery's post

畫家簡介-呂豐雅 1947年出生於香港。1972年完成香港大學專業進修學院三年制藝術與設計文憑課程。1972-73年修讀由呂壽琨、王無邪及譚志成老師等所主持的水墨畫專修課程。1973年舉行首次個人作品展。1981年獲香港藝術館香港藝術雙年展「香港市政局藝術獎」。1998年獲頒發「香港視覺藝術協會銀禧紀念創作無間大獎」。2014年獲香港視覺藝術協會頒發「香港視藝40載敬禮大獎」。 呂豐雅曾任香港視覺藝術協會會長 (1978-82); 香港藝術館藝術發展顧問 (1996-99); 亞洲水彩畫聯盟秘書長(1997-2002); 香港視藝聯盟創會會長 (1997-2005); 亞洲藝術家聯盟香港委員會主席 (1997-至今)。2005年12月呂氏獲香港浸會大學聘為賽馬會創意藝術中心策劃總監, 負責廠廈改建及軟件設計任務,並於2007至2010年2月期間出任行政總裁一職主理該中心的啟動及營運工作。2011年5月至2012年12月出任水墨會策劃總監向香港政府提交《活化法定古蹟景賢里為水墨館》方案。 其繪畫及雕塑創作爲中國廣東美術館;山東省美術館;福建廈門大學美術館;江西景德鎮陶瓷美術館;廣東佛山陶瓷博物館;台灣長流美術館;馬來西亞伊巴謙胡辛美術館;香港藝術館、香港文化博物館、香港大學博物美術館、香港藝術中心、香港演藝學院、香港鐵路、香港賽馬會及香港房屋署;及其他機構、私人收藏家所典藏。 呂豐雅現時生活於香港,從事繪畫、立體設計及視藝顧問工作。

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Photos from 盈鑾畫廊 Cheer Bell Gallery's post

畫家簡介-王守清 旅英著名畫家,視覺藝術家,香港國際藝術家協會副主席及藝術總監。 1954年 出生于福建古田 1974年 中學畢業後上山下鄉務農自修繪畫 1978年 移居香港繼續繪畫創作 1987年 到英國倫敦中央美術學院進修現代藝術 1989至 畢業于英國倫敦溫布頓藝術學院。 他探索西方藝術與文化的 1992年 精髓,形成了自己獨特的對生活、對大自然的理解與 繪畫的表現藝術 1992年 畢業後回香港專職現代藝術創作 藝術特點: 其繪畫靈感來自他在社會及大自然中所看到的一切,作品風格沉重、強而有力,帶有泥土氣息,著色簡素,常用黑、白、灰三色的交融來體現豐富多彩的世界,表達現代社會與傳統文化的矛盾與統一。畫面語言富有跳躍性,易引人遐想。 現為香港市政局視覺藝術中心導師,香港藝術發展局、香港教育局、香港芭蕾舞團留駐藝術家。香港國際藝術家協會副主席及藝術總監、香港藝術公社董事主席及國際藝術村《Res Artist》中國區主席。 其作品曾在香港、倫敦、上海、日本等地多次舉辦個展、聯展。2000年作為香港畫家的唯一代表參加了法國文化部在巴黎舉辦的“世界藝術大展”,引起巨大反響。2003年,作品《香港生活》參加北京舉行的《第三界中國油畫展》,榮獲香港唯一的最高優秀獎。

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Photos from 盈鑾畫廊 Cheer Bell Gallery's post

北京畫家- 于躍的作品 極細膩的心思與筆觸,柔美而靈動的荷花。 盈鑾畫廊網址︰www.cheerbell.com 一九六七年生於北京。 一九九年畢業於中央美術學院中國畫系,獲學士學位。 二零零八年畢業於中央美術學院中國畫系,獲碩士學位。 展覽 一九八六年,作品《殘城》入選「北京青年美術作品展」,獲優秀獎作品被北京美術家協會收藏。 一九九零年,「四人聯展」(中央美術學院陳列館)。 一九九一年,作品《山川悠遠》獲中央美術學院優秀畢業作品獎,作品被中央美術學院美術館收藏。 一九九二年「于躍中國畫個展」(日本橫濱中國畫廊)。 一九九六至二零一一年,「ENTANI組合展」第一至第三十屆(半年展)(展地︰東京“0”美術館、東京目黑美術館、東京世田谷美術館、愛知縣藝術中心美術館)。 二零零二年,「于躍作品展─天國之夢組畫」(日本名古屋GOTTO洞畫廊)。 二零零四年,作品《曾見陝甘十月秋》參加「第二屆全國青年中國畫年展」,獲銅獎,作品被中國美術館收藏;作品《雲過長青春》參加句「首屆全國青年教師國畫優秀作品展」,獲提名獎;作品《大境繽虹》獲中央美術學院學院之光獎。 二零零五年,「韓中青年交流展」(韓國大田)。 二零零六年,作品《記憶—街景》參加「第六屆全國工筆畫大展」;該作品參加「第一屆全國大學生優秀作品展」,獲銀獎並由北京今日美術館收藏;「韓中青年交流展」(韓國大田);「中韓青年交流展」(北京炎黃藝術館)。 二零零七年,「香港當代藝術邀請展」(香港大會堂藝術館)。 二零一零年,作品《荷境》參加「第一屆亞洲的創造」(新東京國立美術館)。 二零一一年,作品《洸》參加「第二屆亞洲的創造」(新東京國立美術館);作品 《滌》參加「回望中國—紀念辛亥革命一百周年綜合材料繪畫大展」。 二零一二年,作品《天籟》參加「第三屆亞洲的創造」(新東京國立美術館);『「品墨三昧」藝術展』(北京力源藝林畫廊)。 作品發表 《東方藝術》《美木嚮導》

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董慧 Christina Tung 日本福岡記遊之春夏秋冬 Japan Fukuoka - Four Seasons 70cm(H) x 70cm(W) 2014

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